Book, Spirits of the Cloth: Contemporary African American Quilts

Spirits of the Cloth: Contemporary African American Quilts

Product Description
Featuring 150 color photographs, "Spirits of the Cloth" is one of the first popular books to showcase the work of contemporary African-American quilters.

Beautiful, work., September 15, 1999

By A Customer

The book is displayed proudly in my home. I read the book and enjoyed the narratives on each chapter and the comments of each artist. I was very pleased to see the different "twists" and "spins" of each artists work. Looking at the pictures, you can almost touch the colors, textures and the spirit of the work. I've been to several art shows in which some of the featured artists work were on display. I had the opportunity to attend a quilt show in Huntsville AL to hear Yvonne Wells talk about her work and I was extremely pleased that the works of quilt artists are being highlighted in one woman/man shows. The book was long overdue!!!!! Thank you to the artist C. Mazloomi!!!

Book: Accidentally on Purpose: The Aesthetic Management of Irregularities in African Textiles and African-American Quilts

Accidentally on Purpose: The Aesthetic Management of Irregularities in African Textiles and African-American Quilts

Product Description
This exuberantly illustrated book celebrates the sophistication, vivacity, and significance of improvisational African-American quilts, both as artistic achievements and as expressions of African-American traditions. The knowledge, attitudes, and values carried across the Atlantic by enslaved Africans appear to have informed a quilt-making tradition so powerful that, to this day, it preserves its identity in a special province of African-American quilts. Such "Afro-traditional" quilts are made by people who have no formal art training and who usually do not consider themselves artists; they learned their craft and absorbed its aesthetics by watching and helping their mothers, aunts, and grandmothers who, in turn, learned form previous generations. The resulting--often highly idiosyncratic--quilts call out to be seen as the works of art that they are. The brilliance of this work must be partially credited to a tradition which encourages individual expression and provides a context in which the talents of individual artists can flourish.

Improvisation, pervasive in black African art and familiar as a basic element of many African-American musical forms, is a vital force in this tradition. The artists maintain a generous attitude toward the accidental, embracing innovations that originate beyond the conscious domain. they use approximate measurement and "flexible patterning," in which the design, conceived of as a an invitation to variation, will not repeat, but will materialize in a sequence of visual elaborations.

Afro-traditional attitudes and methods are antithetical to the standard American quiltmaking tradition--practiced by both whites and blacks--in which great value is placed on precise measurement and exact pattern replication. Instead they bear a keen likeness to the improvisatory practices of the textile-makers of Kongo and West Africa, regions from which American slaves were taken. These antipathies and affinities suggest an enduring African influence on the Afro-traditional quilt.

Book: Signs and Symbols: African Images in African American Quilts

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Signs and Symbols: African Images in African American Quilts (2nd Edition)

African-American quilts possess two unique qualities: more than any other American visual art, they most fully realize the expressive force of jazz, and they bind together generations of African-American families who have made and cherished quilts. In Signs and Symbols, quilt expert Maude Southwell Wahlman introduces readers to a third powerful force in these quilts: their African-derived meanings, patterns, and iconography. She explores the religious, ritual, philosophical, and aesthetic beliefs that have been retained by descendants of Africans in the New World and demonstrates how these beliefs are represented in their textiles. Now back in print, Signs and Symbols remains the most complete illustrated work on this art form; featuring over 150 high-quality full-color reproductions.

Books on the Gee's Bends Quilts

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The Quilts of Gee's Bend: Masterpieces from a Lost Place

From Publishers Weekly
Gee's Bend, Alabama, is a hamlet of 750 residents, most of whom are the descendants of slaves from the former Pettway plantation (and bear the surname Pettway), who during the New Deal purchased farms from the government. For much of the last century, the women of Gee's Bend have produced some of the most striking examples of American vernacular art, sharing them among the community and storing them within their homes. Aside from a brief stint of notoriety during a Civil Rights-era "Freedom Quilting Bee," this catalogue, accompanying an exhibit at the Museum of Fine Arts, Houston and New York's Whitney Museum of American Art, marks the work's entry into the public sphere. Founded by art collector William Arnett and Jane Fonda, the nonprofit Tinwood Alliance devotes itself to the cultural legacy of Gee's Bend, here offering 195 illustrations (162 in full color) documenting the quilts and the lives of many of their makers. The oversize format allows the many full-page reproductions to approximate the sensation of a large quilt spread on the page; the many "Housetop" quilts, with arresting geometric patterns and terrific color sense, speak for themselves. The book and exhibition make an important contribution to American cultural history.
Copyright 2002 Reed Business Information, Inc.

From Booklist
At first glance, the quilts of this collection are simply stunning--rich colors in surprising combinations, refreshingly irregular geometric compositions with hardly a right angle among them, big blocks whose seams virtually vibrate with energy. Then consider the history of the community they come from, and these quilts become a stunning illustration of resourcefulness. Gee's Bend, a remote peninsula on the Alabama River, is an isolated place, one that has known extreme poverty and struggle. Its quilters of the twentieth century are showcased here. Three insightful essays on the community's history and its quilting tradition make up for a self-consciously scholarly introduction. The words of the quilters themselves follow. Brief accounts of their lives and thoughts on quilting accompany full-page photographs of their accomplishments. This large-format hardcover, and coinciding exhibition at the Whitney Museum of American Art, should guarantee the women of Gee's Bend the prominence they deserve in the story of the American quilt. Marya Graff
Copyright © American Library Association. All rights reserved

Gee's Bend: The Architecture of the Quilt

Product Description

In 2002, Gee’s Bend burst into international prominence through the success of Tinwood’s Quilts of Gee’s Bend exhibition and book, which revealed an important and previously invisible art tradition from the African American South. Critics and popular audiences alike marveled at these quilts that combined the best of contemporary design with a deeply rooted ethnic heritage and compelling human stories about the women. Gee's Bend: The Architecture of the Quilt is a major book and museum exhibition that will premiere at the Museum of Fine Arts, Houston (MFAH), in June 2006 before traveling to seven American museums through 2008. The book's 330 color illustrations and insightful text bring home the exciting experience to readers while displaying all the cultural heritage and craftsmanship that have gone into these remarkable quilts.

Mary Lee Bendolph, Gee's Bend Quilts, and Beyond

Product Description

Mary Lee Bendolph’s extraordinary patchworks garnered national attention when they were featured among the works of other quiltmakers from her tiny, predominately African American community in the 2002 blockbuster exhibition and book, The Quilts of Gee’s Bend. This beautiful book examines Bendolph’s inspiration, creative process, and individual genius, as well as her profound connection to the cultural practices and expressive traditions out of which her work arises. It studies her artistic relationships with other artists — her mother, Aolar Mosely; her daughter, Essie Bendolph Pettway; her daughter-in-law Louisiana P. Bendolph; and two self-taught Alabama artists, Lonnie Holley and Thornton Dial. Bendolph’s conception of herself as an artist is intimately connected to all of these aesthetic relationships, which together provide contexts for understanding the full scope and power of her work. As they intersect in Bendolph’s life and art, these deep social and aesthetic networks give rise to new pathways of artistic influence and exchange, to a body of work that is a powerful mixture of communal and individual creative energies.

Gee's Bend: The Women and Their Quilts

Product Description
Since the 19th century, the women of Gee’s Bend in southern Alabama have created stunning, vibrant quilts. Beautifully illustrated with 350 color illustrations, 30 black-and-white illustrations, and charts, Gee’s Bend to Rehoboth is being·released in conjunction with a national exhibition tour including The Museum of Fine Art, Houston, and the Whitney Museum of American Art.

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